Subtle, calming tones that carry the quiet of the making process

During firing, the glaze forms a smooth glass layer, with each piece developing its own character depending on how the glaze is applied and where it sits in the kiln. No two pieces are ever the same.

Three glazed ceramic vases on a fabric cloth, with one vase holding white daisies and yellow petals scattered around.
A ceramic table lamp with a yellow lampshade placed on a cloth surface with small white flowers and yellow petals.

Moss
Subtle green hues.

This glaze creates a unique surface, with subtle shifting tones of green, brown, and blue-black. The colours change depending on how it’s fired and how the glaze is layered. Deep browns, like tree bark, often appear around the rims, and a fine crackle pattern adds extra texture and character.

Close-up of a ceramic lid with a knob, showing a crackled glaze finish.
A ceramic jar with a matching lid, filled with cookies, placed on a neutral cloth with some cookies and a sprig of greenery beside it.

Chun
Translucent layers.

This glaze allows the clay body to show through, making it ideal for high-iron fleck applications. It pools beautifully to create a soft white frosting effect on certain forms and displays delicate crazing, with gentle toasting at the edges when fired at 1260°C.